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Practice with Livestream.com

The First Hurdle

In a previous post I broke down the video production process into three steps: capturing, editing, and distribution.  Here are some of my initial observations regarding the challenges inherent in each area.

CAPTURING:

Before I was hired, The Bob Rivers Show had already researched and made decisions with respect to some of our core hardware. Patterning themselves after other Radio Shows, including KISS (one of our main competitors), KZOK chose to purchase the Tricaster Studio and six standard definition cameras. As a result, there were certain aspects about the look and production (including post production) of the show that I had no control over.

This is not meant as a complaint. In fact, I could rattle off a dozen radio stations that would love to have the equipment we have. The truth is, the Tricaster is a significant investment and reflects the dedication this station has to truly performing as a multimedia outlet. That being said, I would have gone a different route. 

Please don’t touch the expensive stuff.

Please don’t touch the expensive stuff.

From Radio to Video

Video production can be broken down into three equally important stages:

  1. How we capture the video… This consists of preproduction, logistics/set design, hardware (cameras, lights, etc.).
  2. How we edit the video… What kind of NLE (non linear editing system) we choose to use, what kind of cutting philosophy (quick cuts, whether we choose to supplement with photos or graphics,) how we determine what to archive; basically, our overall post production workflow.
  3. How we distribute our video… What website we initially place our video, what kind of media player, bitrate, what will our overall package be? What do we want for our user experience?
It’s easy to identify all the areas that need to be worked it’s been a far more difficult process creating a strategy for each of these areas.

Here’s a photo of Mark “The Intern” (not an intern for much longer) live switching using the Tricaster Studio. Mark worked as an audio production intern for the show for four months before I showed up. A hard worker, quick to adapt, and the spitting image of Howard Stern, Mark should be moving to part-time sometime mid-July.

Here’s a photo of Mark “The Intern” (not an intern for much longer) live switching using the Tricaster Studio. Mark worked as an audio production intern for the show for four months before I showed up. A hard worker, quick to adapt, and the spitting image of Howard Stern, Mark should be moving to part-time sometime mid-July.

Here’s the preroll that Danny made for the upcoming Spike & The Impalers concert at Tulalip Casino on 7-24-09.

Danny Choe, our intern, hard at work editing a preroll video for the KZOK website. Danny is cutting this on Final Cut Studio 2 using an iMac G5 (3.06 Ghz, 4GB RAM, 1TB of HD space).

Danny Choe, our intern, hard at work editing a preroll video for the KZOK website. Danny is cutting this on Final Cut Studio 2 using an iMac G5 (3.06 Ghz, 4GB RAM, 1TB of HD space).

Shalia does a little bit of everything, from helping to conceptualize the future look of the show to promoting M2O on our website.

Shalia does a little bit of everything, from helping to conceptualize the future look of the show to promoting M2O on our website.

Practice with Livestream.com

The First Hurdle

In a previous post I broke down the video production process into three steps: capturing, editing, and distribution.  Here are some of my initial observations regarding the challenges inherent in each area.

CAPTURING:

Before I was hired, The Bob Rivers Show had already researched and made decisions with respect to some of our core hardware. Patterning themselves after other Radio Shows, including KISS (one of our main competitors), KZOK chose to purchase the Tricaster Studio and six standard definition cameras. As a result, there were certain aspects about the look and production (including post production) of the show that I had no control over.

This is not meant as a complaint. In fact, I could rattle off a dozen radio stations that would love to have the equipment we have. The truth is, the Tricaster is a significant investment and reflects the dedication this station has to truly performing as a multimedia outlet. That being said, I would have gone a different route. 

Please don’t touch the expensive stuff.

Please don’t touch the expensive stuff.

From Radio to Video

Video production can be broken down into three equally important stages:

  1. How we capture the video… This consists of preproduction, logistics/set design, hardware (cameras, lights, etc.).
  2. How we edit the video… What kind of NLE (non linear editing system) we choose to use, what kind of cutting philosophy (quick cuts, whether we choose to supplement with photos or graphics,) how we determine what to archive; basically, our overall post production workflow.
  3. How we distribute our video… What website we initially place our video, what kind of media player, bitrate, what will our overall package be? What do we want for our user experience?
It’s easy to identify all the areas that need to be worked it’s been a far more difficult process creating a strategy for each of these areas.

Here’s a photo of Mark “The Intern” (not an intern for much longer) live switching using the Tricaster Studio. Mark worked as an audio production intern for the show for four months before I showed up. A hard worker, quick to adapt, and the spitting image of Howard Stern, Mark should be moving to part-time sometime mid-July.

Here’s a photo of Mark “The Intern” (not an intern for much longer) live switching using the Tricaster Studio. Mark worked as an audio production intern for the show for four months before I showed up. A hard worker, quick to adapt, and the spitting image of Howard Stern, Mark should be moving to part-time sometime mid-July.

Here’s the preroll that Danny made for the upcoming Spike & The Impalers concert at Tulalip Casino on 7-24-09.

Danny Choe, our intern, hard at work editing a preroll video for the KZOK website. Danny is cutting this on Final Cut Studio 2 using an iMac G5 (3.06 Ghz, 4GB RAM, 1TB of HD space).

Danny Choe, our intern, hard at work editing a preroll video for the KZOK website. Danny is cutting this on Final Cut Studio 2 using an iMac G5 (3.06 Ghz, 4GB RAM, 1TB of HD space).

Shalia does a little bit of everything, from helping to conceptualize the future look of the show to promoting M2O on our website.

Shalia does a little bit of everything, from helping to conceptualize the future look of the show to promoting M2O on our website.

The First Hurdle
From Radio to Video

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Welcome to The Bob Rivers Show video production tumblelog. Track our journey from a humble radio show to a multimedia giant.

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